Studio
Portrait and editorial work from a studio in Berlin. Commissions usually arrive from magazines, design-led houses, and private clients who ask for a quiet set and a restrained file — never a performance for the camera.

Natural light when it fits the subject; small sculpting strokes of artificial light when the brief asks for structure. Colour is corrected toward what the day actually looked like — not toward trend. Contrast stays in the lower register so skin and fabric keep their authority.
Prep is thorough and quiet. During the shoot, direction stays minimal: enough to place someone in the light, never enough to replace their breathing. Post-production tightens what was already there; it does not invent a second scene.
Based in Berlin; most work stays in Germany or across the border when the schedule allows. Longer travel follows the brief — editorial coverages, launches, extended portrait weeks.
Precision
Frame edges and timing are decided; nothing ornamental earns its place without a reason.
Atmosphere
Mood comes from light volume and the length of a pause — not from props or overstylists.
Narrative
A good picture should imply what happened just before and what might happen next, even when nothing moves.